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    <title>Notes on Notes - Alex Mayne Music Tech</title>
    <link>https://notes.musictech.alex.mayne.cc/notes/</link>
    <description>Recent content in Notes on Notes - Alex Mayne Music Tech</description>
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    <item>
      <title>ADSR</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/synthesisers/adsr/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/synthesisers/adsr/</guid>
      <description>Attack - fade in to peak volume
Decay - how long till it settles down to get to its normal volume
sustain - what the volume is normally
Release - how long till it fades out on silent
Terms I need to know
OSC (oscillator)
EG (envelope generator)
LFO (low frequency OSC)</description>
    </item>
    
    <item>
      <title>Audio Interface</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/audio-interface/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/audio-interface/</guid>
      <description>What is an audio interface? an audio interface takes all your inputs and outputs and dose the conversation processing so the data can be read by the audio driver/software
How it processes the Audio The audio inputted by XLR or Line in jack makes its why into the Mic Pre where the audio gets boosted by multiplying the voltage making the audio signal louder. the analogue signal that the cable provided is converted to digital for the DSP to allow your computers drivers to provide the software with the inputted audio.</description>
    </item>
    
    <item>
      <title>Condenser Microphones</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/microphones/condenser-microphones/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/microphones/condenser-microphones/</guid>
      <description>How dose it Work? Long Answer A Condenser microphone uses a strip of mettle as a Diaphragm that the sound waves wobble in front of a mettle backplate. Electricity will use the fastest route to complete the circuit so as the mettle wobbles it will pass electrons though the air when that is the quickest route but when there is no inputted waves the resistor is the quickest way to complete the circuit</description>
    </item>
    
    <item>
      <title>Dynamic Microphones</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/microphones/dynamic-microphones/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/microphones/dynamic-microphones/</guid>
      <description>How dose it Work? The vibrations hit against a small diaphragm that then wobbles a magnet in a copper coil field generation a small amount of current that is outputted to the XLR Cable
Do I need phantom power? No Dynamic microphones do not require the extra phantom power (+48V) to function. But adding phantom power will not damage the microphone the extra power will just not be used.
Examples of Dynamic Microphones  Shure SM58 Shure SM57 Shure Bea 52A Sennheiser E602 Sennheiser E604 And many more  </description>
    </item>
    
    <item>
      <title>MIDI Data Basic</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/midi/midi-data-basic/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/midi/midi-data-basic/</guid>
      <description>MIDI Basics  MIDI is always transmitted in 8 bit chunks (bytes) - A MIDI Message will be 2 or 3 bytes (therefore, 16 or 24 bits) The first Byte in a MIDI message is the STATUS BYTE. It says what the message is (e.g. Note On or Volume Change), and what MIDI channel it is on. The next one or two bytes are DATA BYTES. They give information such as what the note is and what velocity it is.</description>
    </item>
    
    <item>
      <title>Pro Tools Automation</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/protools/pro-tools-automation/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/protools/pro-tools-automation/</guid>
      <description>things you can control
track control
volume panning, muting, aux send channels
Automation mode
off doesn&amp;rsquo;t lessen to any automation
read plays your automation back
touch allows you to modify something just while your clicking it
latch allows you to modify something and it will be like that until you return it to its normal position
write allow you to write the automation even if you haven&amp;rsquo;t touch anything</description>
    </item>
    
    <item>
      <title>Reverb</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/effects/reverb/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/effects/reverb/</guid>
      <description>RT60 or reverb time is the time taken for the reverb level to fall 60db relative to the first reflection</description>
    </item>
    
    <item>
      <title>The fundamentals of MIDI</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/midi/the-fundamentals-of-midi/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/midi/the-fundamentals-of-midi/</guid>
      <description>MIDI by its self has no sound
it will require an instrument to be added
midi sends a note on and off
it can be plugged into a synth or sampler (module) with a 5pin midi cable
some synths will have a midi though port that will allow you to chain them together
if using a midi interface then in ablation you will need to use instrument external instrument
the midi device can then be adjusted on the fly while the track is happing</description>
    </item>
    
    <item>
      <title>What is an Equalization?</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/eq/what-is-an-equalization/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/eq/what-is-an-equalization/</guid>
      <description>What is EQ? EQ (or equalization)is to change the balance of frequencies this was useful for making the sound clear on in the war for the telephone but this days it for altering the sound in a music track
in the music world we use EQ to help make clarity of sound in a track when you got lots of overlapping frequency&amp;rsquo;s
Our ears can detect a huge range of frequencies—roughly 20 Hz to 20 kHz.</description>
    </item>
    
    <item>
      <title>What is Bit Depth?</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/sampleratebitdepth/what-is-bit-depth/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/sampleratebitdepth/what-is-bit-depth/</guid>
      <description>What is a bit? A bit is piece of information coded as a 1 or 0 (on or off)
what is bit depth? Bit depth is the number of bits available for each sample. The higher the bit depth, the higher the quality of the audio.
A bit depth of 16 has a resolution of 65,536 possible values and a bit depth of 24 has over 16 million possible values.</description>
    </item>
    
    <item>
      <title>What is Dynamic Range?</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/what-is-dynamic-range/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/what-is-dynamic-range/</guid>
      <description>The difference between the quietest and loudest volume of an instrument, part or piece of music
In modern recording, this range is often limited through dynamic range compression, which allows for louder volume, but can make the recording sound less exciting or live.</description>
    </item>
    
    <item>
      <title>What is Sample Rate?</title>
      <link>https://notes.musictech.alex.mayne.cc/notes/sampleratebitdepth/what-is-sample-rate/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
      
      <guid>https://notes.musictech.alex.mayne.cc/notes/sampleratebitdepth/what-is-sample-rate/</guid>
      <description>the sample rate = samples per second
a sample is a measurement of aptitude
The sample rate is how many measurements of the sound are taken each second. The more samples the more detail about where the waves rise and fall in recording.
The Sample Rate is measured in Samples Per Second Every sample is a measurement of amplitude A common audio sample rate for music is 44,100 samples per second and the unit for the sample rate is hertz (Hz) So 44,100 samples per second is 44,100 hertz or 44.</description>
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